On the central wall is the third part of the project, namely my interpretation of the altar, the structure of which also resembles an Orthodox iconostasis, but without drawings and ornaments. Only its size and shape evoke similar feelings of purity and grandeur in the viewer, but in the modern sense, due to the sterility of which even lifeless pipes resemble anthropomorphic objects. In my opinion, this is due to the unconscious fear of emptiness and, therefore, human mortality. In the second and third parts of this project, black tubes create a formal image of vessels or arteries, giving the ascetic inanimate matter a sense of corporality and internal pulsation. They are metaphorical and may resemble a cord or cable, which is also a symbol of a certain connection and distribution of information. This is an algorithm that is built on a non-verbal, visual level.

The main goal of this installation is to convey sensual impulses, a sense of the continuity and unpredictability of many globalization processes, to give the viewer a unique perception of the author's encrypted algorithm. It is impossible to understand the nature of reality, but you can feel it. Our brain itself can create movement by looking at a static installation and imagining the unthinkable. The main goal is also to create an illusory space in which the viewer is located .In conclusion, the purpose of this work was to convey the processes that excite me in the language o f minimalism with their strict formal rules that correspond to my personality and character. In fact, I focus on expressing my thoughts, emotions, reflecting and conveying feelings, that is, what minimalism tried to deny and, perhaps, suppress.

On the central wall is the third part of the project, namely my interpretation of the altar, the structure of which also resembles an Orthodox iconostasis, but without drawings and ornaments. Only its size and shape evoke similar feelings of purity and grandeur in the viewer, but in the modern sense, due to the sterility of which even lifeless pipes resemble anthropomorphic objects. In my opinion, this is due to the unconscious fear of emptiness and, therefore, human mortality. In the second and third parts of this project, black tubes create a formal image of vessels or arteries, giving the ascetic inanimate matter a sense of corporality and internal pulsation. They are metaphorical and may resemble a cord or cable, which is also a symbol of a certain connection and distribution of information. This is an algorithm that is built on a non-verbal, visual level.

The main goal of this installation is to convey sensual impulses, a sense of the continuity and unpredictability of many globalization processes, to give the viewer a unique perception of the author's encrypted algorithm. It is impossible to understand the nature of reality, but you can feel it. Our brain itself can create movement by looking at a static installation and imagining the unthinkable. The main goal is also to create an illusory space in which the viewer is located .In conclusion, the purpose of this work was to convey the processes that excite me in the language o f minimalism with their strict formal rules that correspond to my personality and character. In fact, I focus on expressing my thoughts, emotions, reflecting and conveying feelings, that is, what minimalism tried to deny and, perhaps, suppress.